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Evergreen Review Reader: Ten-Year Anthology, Binding by Richard Tuttle



Evergreen Review Reader: A Ten Year Anthology

Unique Binding by Richard Tuttle

Published by Castle Books/Grove Press in 1968

FINE Condition

Binding Details:  As with all of Richard Tuttle’s pieces, this is a one of a kind binding that captures the spirit of the book and returns us to a time when books were beautiful to display as well as read. In a world of mediocrity and mass produced books, he believes important literary works are special and should be treasured and passed on to future generations.

The book has been rebound by Richard Tuttle in full leather over boards sculpted on both sides with the Evergreen Review’s logo. The covers are decorated with drips and stains including intentional coffee stains. Rick Tuttle hand painted the pages edges and end papers with enough left over for a hand painted bookmark. Hidden in the front endpaper is the binding date and artists symbol signature. The binding was done in 2006.

The book measures 11” x 8.5” x 2.25”The book has been rebound by Richard Tuttle utilizing many different types of leathers over boards to create a spectacular binding. The title and authors appear on paper labels that are affixed to the snake skin spine. The binding was done in 2012.

The book measures 12.5” x 9.5”

Book Details:This is the fourth printing of the cult classic “Evergreen Review Reader: A Ten-Year Anthology” published by Castle Books/Grove Press in 1968. The Evergreen Review was a literary magazine that featured poets, photographers, cartoonists, artists, and the philosophers of the era. This monumental collection covers the period of 1957 to 1967 and features the work of Samuel Beckett, Jean-Paul Sartre, Allen Ginsberg, Jackson Pollack as well as numerous avant-garde artists and photographer of the period. The internals of the book are in FINE condition with some paint from the endpapers migrating to the endpapers.

Artist Statement: Included with the book is a signed artist statement by Richard Tuttle on the making of “Evergreen Review Reader”.

About the Artist: Richard Tuttle is a painter, writer, graphic designer, carpenter, bookbinder and lover of literature. For the past 20 years, he has combined his many interests to create one of a kind works of art that merge the written word with fine leather, paper, paint, wood and veneer. These original book bindings have been exhibited in numerous galleries and were featured in a PBS documentary on the Chicago Art beat. Richard describes his work as follows:  “I make literary artifacts. They are designed to pull books down off the shelf and display them in the salon, gallery or home as if they were works of art, which, of course, they are. Whether binding books with leather, paper, paint, wood, and found artifacts or building sculptures to encase the volumes, I seek to find a perspective that shouts out a piece of the essence of the literary work. I try to put myself in the author's or character's mind to say something about the time it was written in; the attitude that is explored and expressed; the magic that makes it a work of art. While I obviously respect and admire the books I work on, the humor, wit and raw energy I find so attractive in their works leads me to places that some might call disrespectful, but are, for me, essential parts of these literary works. Motivated by Marcel Duchamp's attempts to elevate the object into art and William Blake's efforts to remake his world and James Joyce's efforts to include all culture and all action in one whole: Motivated by the ongoing conversation of Jazz musicians between its earliest practitioners and its most avante garde practitioners: Motivated by the great world library of "what we are" as extolled by Jorge Luis Borges: Motivated by the desire to live in a world that is conscious of itself and conscious of its ability to create itself: I create these art objects out of books in order be surrounded by a physical environment that reflects the world of ideas I want to live in.”

Condition Report: The binding is in FINE condition.

Photographs of the book and hand-paper endpaper treatment appear in the photo section of the listing.